PERMANENT COLLECTIONS

Los Angeles County Museum of Art
Palacio de Bellas Artes, Mexico City, Mexico
Glasgow Print Studio, Glasgow, Scotland
New York Public Library, The Midtown Y Collection of Photography
Center for the Study of Political Graphics, Los Angeles, CA
Rose Art Museum, Waltham, MA
Huntington Museum, Austin, TX
Self Help Graphics, Los Angeles, CA
Mexican Fine Art Museum, Chicago, IL
Allentown Art Museum
Center for Justice, Tolerance, and Community, University of California Santa Cruz
CARIDAD/California Ethnic Multi-Cultural Archive, University of California Santa Barbara Library
Institute of Texas Culture, University of Texas, San Antonio, TX
Fabric Workshop, Philadelphia, PA
Institute of Latino Inter-University Project Research, University of Notre Dame
Bell Telephone Corporation, Philadelphia, PA
Hispanic Resource Center, Arizona State University, Tempe, AZ
Gerald Buck Collection
Gilberto Cardenas Collection
Richard and Harriet Romo Collection
Kenneth and Susan Kaiserman Collection
Krasner Collection, Los Angeles, CA
Parker Collection

TEACHING EXPERIENCE

The School of the Museum of Fine Arts, Boston, MA, Senior Lecturer in Studio Art, 1991 to present
Otis College of Art and Design, Los Angeles, CA, Visiting Lecturer in Fine Art, 2003-2004
Harvard University, Cambridge, MA, Visiting Lecturer in Visual and Environmental Studies, 1994
Germantown Friends School, Philadelphia, PA, Director of Photography, 1984-1991
Philadelphia College of Art, Philadelphia, PA, 1984
Tyler School of Art, Philadelphia, PA, 1983
Cleveland State University, Cleveland, OH, 1982
Cuyahoga Community College, Cleveland, OH, 1981-1982

PUBLIC LECTURES AND VISITING ARTIST

The Museum of Fine Arts, Boston, MA
The Worcester Art Museum, Worcester, MA
Harvard University, Institute for the Arts and Civic Dialogue, Boston, MA
Princeton University, Princeton, NJ
Brown University, Providence, RI
Massachusetts College of Art, Boston, MA
University of Southern California, Los Angeles, CA
Cal State Los Angeles, Los Angeles, CA
Scripps College, Claremont, CA
Cornell University, Ithaca, NY
Armory Center for the Arts, Pasadena, CA
Pomona College, Los Angeles, CA
Pitzer College, Los Angeles, CA
Otis College of Art, Los Angeles, CA
University of California Santa Barbara, Santa Barbara, CA
Skirball Center, Getty/CARS Program, Los Angeles, CA
Art Center, Pasadena, CA
Eventworks, Massachusetts College of Art, Boston, MA
Rhode Island School of Design, Providence, RI
Windward School, Los Angeles, CA
Harvey Milk Center, San Francisco, CA
The Photographic Resource Center, Boston, MA
Montserrat College of Art, Beverly, MA
Tufts University, Boston, MA
University of Delaware, Newark, DE
University of Illinois, Champaign/Urbana, IL
Maryland Institute College of Art, Baltimore, MD
Tyler School of Art, Philadelphia, PA

RELATED PUBLIC WORKS PRIOR TO THINK AGAIN

• Body Rock/it Aerial Art-slam, Boston Center for The Arts, Cyclorama, Boston, MA, 1997
  Organizer of visual art, music and performance sponsored by the Theater Offensive.
  Eight screens filled the Cyclorama with over 500 slides representing 40 contemporary artists.


• Neighborhood Stories, 31 Pontiac Street Gallery, Mission Hill, MA, 1996
  Community members were invited to exhibit mementos (included were a piece of the Berlin Wall, traditional Nigerian clothing, 19th C. family photographs, etc.) along with written stories.


• Howling on the Hill, Mission Hill, MA, 1995
  Community outreach event during the month of Halloween.  Students led after school workshops culminating in a street event (public maze, parade, light and shadow show, and storytelling).


• The Alternative Docent Tour of The Museum of Fine Arts, Boston, MA, 1993
  Organized a series of collaborative performances in the form of docent tours that questioned accepted art historical knowledge and reconsidered the museum as public space.


• Jerry Beck's Wonders of the World Carnival, Boston Center for the Arts, Boston, MA, 1992
  Organized a two day workshop for youth to create a 12' x 30' personal response mural that was exhibited at the Wonders of the World Carnival.


• Trans-action Project, Women's Action Coalition, Boston, MA, 1992
  Organized and participated in a mobile action that created a city wide motorcade that transformed cars into moving billboards and distributed voter information.


• Photographs In Context Poster Project, Boston, MA, 1992
  Facilitated student collaborative project Is Anxiety Solid, Liquid or Gas?  Participants installed a wallscape between Copley Square and The Boston Public Library.


• Bus Shelter Project, Philadelphia, PA, 1991
  As part of the Artists Choose Artists exhibition a photographic bus shelter poster was installed throughout the city of Philadelphia.


• Media Literacy Multicultural Video Exchange Project, Germantown Friends and Germantown High Schools, Germantown, PA, 1990
  Coordinated an exchange between a public high school and a Quaker high school.
  Participants visited classes, held open forum discussions and video-documented the exchange.


• What Is Benetton Really Saying?, Philadelphia, PA, 1989
  Posters and billboard that examined sexism and racism in two advertising campaigns were displayed in various sites.


• Public Art Banner, Are You Telling Yourself A Little White Lie?, Philadelphia, PA, 1988
  Five street banners were installed in neighborhoods throughout the city addressing sexism and racism. 

PUBLIC PANELS, ADVISORY BOARDS AND RELATED EXPERIENCE

• El Camino College Photography Department Vocational Education Advisory Committee,
  Active Member, El Camino College, Los Angeles, 2009


• GASP 4 Obama, G-A-S-P Gallery, Brookline, MA, November 4th, 2008
  Organized with Magdalena Campos Pons and Bonnie Donohue an outdoor public projection of comments solicited from around the world responding to Barack Obama’s message of change.


• Hammer Museum, UCLA, Los Angeles, CA, 2007
  Beyond the Waves: Art Informed By Feminisms: Suzanne Lacy, Aya Dorit Cypis, and Laura Aguilar.


• Museum Fort Count Mirasol, Vieques, Puerto Rico, 2006
  Vieques: A Long Way Home: Bonnie Donohue, Cesar Ayala, Andrew Stanbridge and Robert Rabin.


• College Art Association, Boston, MA, 2006
  The Potential of Print: Public Art and the Role of Digital Technologies: Christine Fillippone, Sabrina De Turk, Barbara Masden and Jacqueline van Rhyn.


• Women’s Caucus for Art, Boston, MA, 2006
  A Conversation With Third Wave Feminists: Maura Reilly, Dena Muller, Maria Elena Buszek, Emily Putnam and Lalla Assia Essaydi.


• American Studies Association Conference, "Groundwork: Space and Place In American Cultures", Washington DC, 2005
  Everywhere: Art, Activism and Academia: Amy Villarejo and Kara Keeling.


• Strategic Actions for a Just Economy (SAJE), Los Angeles, CA, 2005  
  Community event and mural dedication; They Mistook Determination in Our Eyes for Hopelessness


• Southern Graphics Council, "Power in Print ", Washington DC, 2005
  Street Smart Graphics:  Panel organized by Judy Brody and included Robbie Conal.


• The Museum of Fine Arts, Boston, MA, 2004
  Public Art and Intervention.  Colloquium organized by Jeannie Simms.  Presenters: Anne Pasternak of Creative Time, Yoshua Okon, Amos Latteier, and Yvonne Boogaerts.


• Social and Political Artist Resource Center (SPARC), Los Angeles, CA, 2004
  Elect This: Artists Influencing Public Dialogue.


• Cornell University, Ithaca, New York, 2004
  Rethinking Law and Development. Conference on globalism and international law and development.


• Power of Politics: How To Create Social Change, The Third Annual Martin Luther King Conference, The Cross Cultural Centers at California State University, Los Angeles, 2004 Discussion with Carol Wells.


• Artists Discuss Being Activists, Armory Center for the Arts, Pasadena, CA, 2003
  Discussion with Kim Abeles and Carol Wells.


• Third Wave Feminism & Popular Culture, Massachusetts Institute of Technology, Boston, MA, 2002
  Panel: Suheir Hammad, Mimi Nguyen and Tammy Rae Carland.


• Artists Role In Effecting Social Change, Massachusetts College of Art, Boston, MA, 2001
  Lecture series including Howard Zinn and Marc Singer.


• Visible Republic, Boston Center for the Arts, Boston, MA, 2000
  Panel on contemporary public art in Massachusetts.


• Post 9/11 Teach-In, School of the Museum of Fine Arts, Boston, MA, 2001
  Co-organizer. Speakers included Rini Amiri, Director of Women and Public Policy, Harvard University and Barbara Schulman, Feminist and Anti-Racist Activist.


• Ambient Temperature, Harvard University, Cambridge, MA, 1998
  Co-organizer of a visual art slide slam and performances including artists Tristan Taormino, Carol Queen, and others.


• The Black Crow Film Festival, The Black Crow Café, Jamaica Plain, MA, 1998
  Co-organizer with MOCAA, Girlfriends & D. Alwan of a five-week, free film festival. Screenings included Biography of Marlon Riggs, Life and Work of Audre Lorde, Scent UVA Butch.


• Board Member, 1996-1998
  The Theater Offensive. Programming include the annual Out On The Edge festival and True Colors teen poetry slams. Boston, MA


• College Art Association, Boston, MA, 1996
  Working In Between Spaces. Organized with Linda Olstein. Artists/theorists: Kate Bornstein, Todd Ayoung and Ruth Wallen. Topic: new methodologies in interdisciplinary art and education.


• Board Member, 1995-1996
  The Photographic Resource Center, Boston, MA


• Revival 2: Community Acts Against AIDS, World AIDS Day, 1995
  Art Design of publicity for event at the Institute of Contemporary Art, Boston, MA


• Graphics Coordinator, 1994-1996
  Out On The Edge Festival, The Theater Offensive, Boston, MA


• Exhibition Juror, 1995
  The New England Biennial, The Photographic Resource Center, Boston, MA


• Educating the Artist, Tufts University, Boston, MA, 1994
  Panel discussion: Gerry Bergstein, Pearl Robinson, Madeline Caviness, Elizabeth Ammons.


• Negotiating Masculinities, Gallery 57, Cambridge Arts Council, Cambridge, MA, 1994
  Panel discussion: Elaine Posner, Abe Rybeck, Hans Evers and Nancy Ryan.


• Women's Action Coalition, Boston, MA, 1992
  Facilitated meetings, assisted with action planning and mission statement during initial stages of the organization of the Boston chapter.


• Multicultural Assessment Committee, Germantown Friends School, Philadelphia, PA, 1990-1991
  Evaluated curriculum content and teaching practices that promote multicultural education.


• Quiver Magazine, Philadelphia, PA, 1982-1984
  Production and Editorial Assistant. Responsible for various aspects of offset production including negative stripping and camerawork as well as editorial decision making.


• DBR Gallery, Cleveland, OH, 1980-1982
  Assistant Director.  Responsible for all facets of gallery administration including public relations, curatorial  work, and installation of exhibits including ceramics, painting, and photography.


• By Arrangement, DBR Gallery, Cleveland, OH, 1981
  Exhibition Curator of 12 contemporary photographers.


• Northlight Gallery, Exhibition Steering Committee, Tempe, AZ, 1979
  Selected major exhibitions.  Administrative responsibilities included fund raising, grant proposals, traveling exhibits, and installation of photographic exhibits.


• Women's Studies Advisory Committee of Arizona State University, Tempe, AZ, 1979
  Board was responsible for implementing an area of concentration in women's studies into the university curriculum.


• The Collaborators, Harry Wood Gallery, Tempe, AZ, 1979
  Responsible for organization and installation of exhibition that invited established artists to collaborate with emerging artists.